Showing posts with label Alimuddin Street. Show all posts
Showing posts with label Alimuddin Street. Show all posts

Thursday, February 18, 2010

City Chicken


I found a city chicken today. It was a little lost, even though it was in the city I think it was looking for its field of mud and grass. People walked by, stepping over the old chicken. Rickshaws spun past, covering the chicken with even more dust from the road. Taxis brooomed and auto rickshaws beeeeped. Hand human rickshaws rinnnnged and hand pulled carts 'yaaaahed'. The lost chicken was scared. Beeeep, Brooom, Rinnnng, Yaaaah, Swush, Swish, Step Ta Ta. The lost chicken was flustered as it pecked and scratched in the concrete of the pavement. Exhaust fumes and stove smoke whirled around her, as if giving a smell to the continuous commotion. The madness of the moving street. But the pavement seemed to have a little compassion for the lost chicken. The pavement silently called to the chicken. The chicken fluttered and scratched and clucked and clacked clumsily over to a patch of broken, jagged stones. The pavement was a border for the traffic (although the road was not a boundary for pedestrians) but it was also broken and holey, rubble and stones, dirt and brick.

The compassionate broken pavement invited the chicken to keep digging, to keep pecking, and the old lost chicken did just that. Scratching, and pecking, and digging and flicking aside tiny fragments of concrete. Dig, peck, scratch, scratch, peck, dig. Frantically and furiously, the chicken was searching for familiarity. For protection. In the middle of the pavement, in the middle of the feet, in the middle of the city, in the middle of the day, the chicken was successfully digging herself a home. Despite her fear, and the noise and the chaos, and no other live chickens anywhere near her, the lost chicken made her nest in the broken concrete of the pavement and fluttered down to cluck some more.


Thursday, January 14, 2010

Street Walking

Stiff lumpy hands play awkwardly with a shimmer of steel coins. Attempts to order and to control. To pile neatly into a palm that needs to be convinced to comply. Thick fingernails eagerly 'counting' the meagre collection. Mission accomplished and the counter continues on his way, stepping forwards into the moving human stream feeding his calculations. An old man, cleanly shaved and with comb-toothed hair shelters a fresh skinned infant who watches from the ledge of a bony shoulder. Watching the purples and reds, blues and whites, browns and yellows of the passing people programmed on a predestined route of routine. A wizened white haired and stingy bearded barber holds court around a rickety wooden chair. He leans close to his subjects as the chatter bounces from one to another and back to the compare in the centre. The barber talks as he works, theatrically snipping the air to emphasis his views before freeing the blades to continue their professional mission; as invisible strands of hair are disconnected from another talking head. Amid the debate a small hand mirror is held for affirmation, reminding of the history of barber stalls – where expert eyes are yet to be replaced with reflective glass. Past and future customers sit on stools animately discussing, continuing the argument long after the initial participants have departed – hair trimmed, cheeks liberated from ancestoral clues, eyebrows plucked to order with string.


English words are shouted out as a waving arm reaches forward. It is only a brief distraction before the desired state of passivity is returned to but a reminder that the watcher is always watched.

The morning bakers have transformed into butchers as the afternoon market centres around stalls of hanging beef. Hearts and brains are nearly arranged on the table, as creamy offal hangs in a never-ending ribbon. Unidentifiable organs sit in a discarded pile, while waiting dogs watch eagerly from the gutters. Men stand up and squat down, like the keys of a human accordion, while puddles of urine collect at the edges of the road, lazily searching for the iron grids hiding under soggy lines of old news and recycled roti packets. A nimble man steps down from a tabacco stall, carefully placing the folded green leaf into his cheek, which bugles in acceptance. He jumps into the stream of shoppers, walkers and talkers, as his blue tartan lungi stretches to reveal his skinny bones. He bounces up the opposing step, straight into a conversation with the butcher boy. A chubby kid sits on the shop floor, with his legs dangling into the street; flip flops fighting gravity as they cling to his dirty toes. To his side he is playing with a string of gristle, cutting deep ridges into the meat with a small steel blade.

Identifying and dodging undesirable human waste – flesh which the dogs or crows haven't retrieved, the hacks of coughing men, the splash of dirty water as it is thrown into the road.

Another two men beging a conversation with a shout and continue with fluent signing. They are conducting their conversation across the narrow width of the street as each one remains stationed in their opposite stalls. Shop neighbors for many a afternoon. Two girls wearing identical bright pink dresses and heeled shoes play in a smooth patch of mud. The intensity of the pink screams out grabbing attention against the backdrop colour of urban decay. A soggy bicycle tyre has been hung on a permanently hibernating tree as a semi deflated ball is successful thrown up and through; street basket ball. A rubbish collector drags his cart to a pile of old ashes, fruit peels and unidentifiable decomposing waste. A packs of dogs are lazily laying over the heap, warming their bodies from above and below as the sun seeps through the smog and the ashes smoulder below. The rubbish collector thoughtfully attempts to persuade them to move before he adds fuel to the make-shift kennel. Further along a rag picker is poking through a similar pile, pulling out straggly plastic bags on the end of her metal stick.

A old woman sits against the wall of the building as she tries to wedge up her tattered sari to change into a waiting piece of cloth. Her efforts are clumsy and her movements of vanity awkward. Her stomach rolls forwards as her nipples are then covered. A man in with a moustache and woolen jumper slows to a stops He lets two shiny coins drop from his hand. The woman hurriedly leans forwards to catch the coins in her joined palms. The power of 'giving'. An older man moulds a wedge of tabacco into his palm, expertly massaging the dried plant into a cheek sized ball. Water splashes out of a doorway, bouncing off the street and appearing to stick to the wall before dribbling down into dirty puddles.

A line of teenagers walk by. The same tactic as always, as one is pushed in front observing carefully placed steps. The boy is quickly dodged as a smile is masqueraded with neutral passivity.

Two women line up outside of a tailors stall.The tailor is surrounded by an air of precision, measured by the long tape hanging over his shoulders and the watchful stares of his apprentices, who are squeezed into the tiny space behind his work table. Passing the mosque, mutterings of greetings fill the hidden silence, as 'Salaam alikum' mixes with 'Alikum Salaam' creating a mosaic of religious sounds and continuous welcomes. Men wearing clean white prayer caps, trimmed beards and crossed legs, carry with them their distorted limbs, as they perch on the window ledges, receiving passing alms, which come quickly and are received with the sending of more 'Allah's' into the thickening air.


The corner is marked with a brandnew shining sign urging witnesses of 'Power Theft' to report to the sequence of numbers it boldly advertises. Behind the sign rises a church - full of statues and slogans but without the busteling activity of its lively Isamic neighbour. Opposite sit the same collection of old men; all wearing thick rimmed glasses, with their patch of territory marked out with a square of plastic or cardboardand their bag of belongings protectively stacked by their sides. The elders wisely consult their oracles of papers from around their city, county and country. The newspapers they hold up towards the sky reflect English, Urdu and Hindi script; invisble news made literally physical in a range of tongues. These are educated, literate men, holders of history who now sit, collecting their keep from the familiarity of their slab of pavement while they wait for time to become finite.

Reaching the intersecting tram line, and dodging the speeding cars and taxi's, which accelerate at the glimpse of potential human contact. An impatient four wheel drive blows out a infinite 'beeeep' as he encroaches upon a rickshaw puller. The rickshaw puller is desperately trying to maneuver his awkward clumsy and obviously heavy wooden cart through the collection of 'brumming' stationary auto rickshaws. His passenger is a small boy, clad in a navy school blazer and surrounded by woven bags of fruit and vegetables, which bounce around following a short delay of logistical negotiation. Another rickshaw puller lurches forwards, running into his worn flip flops as two large women lean back into their open throne, distractedly observing the scenes below them as they enthusiastically share their thoughts.

The street opens up into a road where cars would be able to pass by in both directions if it were not for the lines of parked yellow taxi's waiting for their human car washer to spin through. A heavy Enfield motorbike reves past. As the driver pulls the machine through the confusion, his tiny small blue Tom and Jerry rucksac swings to the right and then to the left – managing to mirror his movements while smiling at all those who pass by. The bike and the rucksac rush past at the same time every day. One of millions of paths crossing the paradigm of parallel lives as children, men and women, Hindi, Muslim, Christian, Bengalis, Biharis, refugees, poverty tourists, historical tourists, diplomats, homeless and housed, materialistically rich and eternally poor...each moving around their patch of pavement, street, road or city surrounded by the clues of its never ending depth and superficial synchronicity.

The more I walk the more I see, the more I see the more the senses surrounding imagination delves into the dreams of reality. What an indulgence to walk the streets of this world.


Thursday, December 31, 2009

Inter-Faith New Years


A month or so ago it was Eid al-Adha. The Muslim “Festival of Sacrifice” commemorates the willingness of Abraham to sacrifice his son as an act of obedience to God, but instead he was able to sacrifice a ram (by God's command). Here in Kolkata, Eid al-Adha brought the Muslim population (which is estimated to be 18% of the population of the city) onto the streets. Indian Muslims swapped their blue tartan lungis for long white tunics and prayer caps. The mosques overflowed onto the streets, occupying the roads and bringing a total stand still to all traffic and morning shoppers. Walking to work involved labyrinthine skills as the maze of prayer mats had to be carefully side stepped but the uninviting drains and open gutters expertly avoided. From a vegetarians point of view the walk home was even more disturbing. Eid al-Adha has acquired the tradition of the sacrifice of domestic animals. All of the worlds Muslims celebrate by slaughtering unimaginable numbers of sheep, goats, cows and even camels. The craziness here in India is that the Holy Hindu Cow appeared to be the choice favourite.

Alimuddin Street – leading from the road housing the Missionaries of Charity to the Hindu shrines of Free School Street - became a butchers haven, as cows lined the pavements, while their family members achieved fast track enlightenment; depending of course on ones belief system. The irony of the cows predicament is that if they managed to stray just a few meters away they would be safe in cow worshipping territory. The affair reminded me of a good friend who ended up volunteering in the only pig farm in Israel and in a bout of rebellion ended up freeing the piggies from their fateful platform. By doing so the pigs unconsciously activated the law stating that as soon as a pig's trotters touches the soil of 'Israel' it is free from slaughter. However, the Holy Cows didn't seem equipped to try an similar escape attempt and soon the street was awash with fresh blood. Cow skins were picked clean by happy puppys, and I looked twice as young girls walked by with their prize of cow legs – one in each hand. Men walked around with blood stained shirts, as if coming straight from a massacre and later that evening a Muslim friend complained how tired he was after the hard work of killing over one hundred cows.

Thankfully the sacrifice is not in vain, and all of the meat and skin is used. The cow flesh is equally divided between the family, relatives, friends and neighbours and the poor. However, the question arises of the religious tensions which the festival may provoke as 'Gods' are sacrificed by the millions. This year, the Delhi based leading Islamic seminary, Dar-ul-Uloom, suggested to Muslims in the country that they should avoid slaughtering cows on Eid-ul-Azha as a mark of respect to the religious beliefs of Hindus. The appeal was supported by the All India Organisation of Imams of Mosques (AIOIM). Why then did I spend the day picking my path through cow remains? The answer is that unlike goats, sheep and chickens, the sacrifice of cows represents monetary wealth and dedication to ones faith, due to the 'price' of the sacrifice. A low breed Indian cow costs between 10,000 – 15,000 Indian rupees which is about £150 - £210; therefore the actual cost to the family over Eid is potentially enormous.

A week or so later what was intriguing was the hundreds of small drums that were appearing for sale along Alimuddin Street. The drums were made of cow skin which had been stretched over clay pots and then threaded with a string to hang over the drummers neck. Colourful children's drawings had been sketched on each drum, with the odd one sabotaged by a sketchy outline of a political party symbol. The purchase of one cost only 5 rupees (about seven pence) and came with two little sticks for beating. At the time I thought this was just a money making innovative tactic by the kids but a few days ago the city came alive with the sound of drums – all shapes and sizes – and made from the fresh cow skin of recently slaughtered cattle.

The celebration of Muharram is the festival which signifies the start of the Islamic New Year. The Muslim population of Kolkata celebrated by taking to the streets and parading in bands of drummers. The roads literally stood still while the vibrations rang out throughout the streets. Thousands of boys and young men dressed in costume and with an atmosphere of celebration banged there way through the city as the pavements were lined with spectators and beeping traffic. Gasoline was passed around as boys took turns to fill up their mouths and then blow into a torch of fire. Definitely a party atmosphere, excluding the copious amounts of alcohol more typical of New Years celebrations. The next day, the procession turned a little more sober as fake coffins and horses soaked in blood paraded down the street, with children rushing under the coffins and people queuing to touch the blood covered skin of the horse. In Sishu Bahavan the kids clambered onto the ledges of the windows, trying to peek through the iron bars to identify the source of the rhythmic beats which percolated up from the streets below, bringing cheers of 'nache nache' to the little people always eager for an opportunity to dancer. Meanwhile, trucks loaded with rice stopped to pass out food to the crowds. I watched as two little boys – rag pickers – dropped their bags to chase after the promise of a free meal, but were too slow and were left standing in the middle of the road watching the laden vehicle ride on. They turned around the retrieve their huge bags of rubbish, leaving the celebrations behind. That day was very quite at the dispensary, as patients who usually queue up wearing borrowed plastic crosses attached with pieces of string, went in search of a free meal and the rumours of clothes distribution.

Tonight the night clubs of Kolkata are advertising all night long parties to “Bollywood and Western Music” starring “foreign dancers” and DJs from Mumbai. Entrance fees are scaling the 2000 rupee mark; which at nearly £30 is a pretty exclusive price. But young men (and the occasional woman) from the surrounding Christan, Muslim and Hindu areas are strolling around in anticipation for another street party. If there was ever a place (other than Jerusalem) for the joining of faiths in a celebration of Humanity, India ia surely one. In its rich diversity and complexity of community festivals, unity through celebration is most definitely possible.